Interview: Zeb Achonu

Zeb Achonu is an Associate Member of the Guild of British Film & TV Editors (GBFTE) and has extensive experience in editing across a wide range of genres, most notably factual and entertainment. She spent 9 years working for the BBC before going freelance and moving to Paris. During her 2 years there she started … Continue reading “Interview: Zeb Achonu”

Interview: China Moo-Young

China Moo-Young went to the National Youth Theatre before studying Drama at Bristol University, where she graduated with a First Class Honours BA in Film, Theatre and Television. She was named a Star of Tomorrow in Screen International’s annual review of British film-making talent and was selected as a Breakthrough Brit on the prestigious UK Film Council … Continue reading “Interview: China Moo-Young”

Case Study: Miranda Bowen Sets Off for The Last Post

A week today I am due to fly to Cape Town, South Africa to start prepping the second block of a BBC drama, The Last Post, a Peter Moffat scripted story set in Aden in the 60s about the end of the British empire as played out between the husbands of the royal military police … Continue reading “Case Study: Miranda Bowen Sets Off for The Last Post”

Interview: Gaby Chiappe

Gaby Chiappe is an experienced TV writer, who has written extensively for long-running series such as Family Affairs, Doctors, EastEnders, Casualty, Survivors and many more. She also wrote for the series Lark Rise to Candleford, Shetland, Vera and recently created and wrote (with Alexander Perrin) the series The Level for ITV. Her first feature film, … Continue reading “Interview: Gaby Chiappe”

Testimonial: Lorna Martin

The challenges of trying to combine motherhood with a creative career hit home for me a couple of years ago when my older daughter, then four, was doing a project in nursery about summer holidays. She informed me that all her friends were going to France, Spain, Portugal and Florida. Then she asked where we … Continue reading “Testimonial: Lorna Martin”

The Slog: Lucy Baxter on Running a Creative Company & Changing the Industry

Flexible working, job sharing, genuine diversity in gatekeeper roles as well as in front of and behind the camera, paying key creatives properly and respect for people as rounded human beings who can get the job done in their own way and their own time – these things are key to the future health of … Continue reading “The Slog: Lucy Baxter on Running a Creative Company & Changing the Industry”

Evening Standard, 7 February 2017

Charlotte Riley is Raising Films’ first Ambassador! As well as describing the challenges in finding a work/life balance as a working parent, she told Rashid Razaq that it’s not just personal – more needs to be done by the industry: So many other industries are years ahead of ours in creating a better work-life balance … Continue reading “Evening Standard, 7 February 2017”

Screen Daily, 7 February 2017

As Louise Tutt writes, Raising Films launched the Family Support Fund with CTBF – with grants contributing up to £75 a day to help cover the cost of childcare arrangements, up to £1500 per annum. And we also announced actor Charlotte Riley as our very first Raising Films Ambassador. Riley said: Our challenge is not to reform … Continue reading “Screen Daily, 7 February 2017”

Screenwriter Pete Jordi Wood on Supporting “Carer-Talent”

A deeper dialogue needs to happen between employers and employees of what the day-to-day responsibilities carers undertake alongside their film or television work actually entail. Only then will we start to see a little empathy begin to bloom. In a world where juggling child support with employment is still, sadly, an epic challenge for many … Continue reading “Screenwriter Pete Jordi Wood on Supporting “Carer-Talent””