I went to the 2017 Cannes Film Festival to acquire some DTV films for UK release on my distribution label, and also to help find distributors for the slate of British and Irish films I had brought to the market for [...]
The biggest takeaway from our experience providing free childcare in a mobile unit we named the Wee Wagon, at SXSW 2017, was this: it's possible. That may seem unremarkable compared with the incredible response from parent-filmmakers, who called the Wee Wagon "an [...]
Hope Dickson Leach: ALICE. Alice Lowe: Yes Hope. HDL: We met in person for the first time in Toronto. You’d just come from Venice and for me it was my world premiere. I had left my children at home and you [...]
Ashley Sabin produces, directs, photographs and edits critically-acclaimed cinematic documentaries that have screened internationally in festivals and on television worldwide at Sundance, Toronto, Cinema du Reel, Rotterdam, Visions du Reel, RIDM, MoMA, and Viennale Film Festivals and on PBS, POV, BBC, [...]
Robin Swicord is the award-winning and Oscar-nominated screenwriter of a significant body of films that often put the family lives of women front and centre, including Little Women, Matilda (with her husband, Nick Kazan), The Perez Family, Practical Magic, and Memoirs of a Geisha, as [...]
On February 14th 2016, I decided to go to Calais with a cinematographer friend of mine, Annemarie Lean-Vercoe. We were going to go the now infamous “Jungle” refugee camp. Partly to document what we saw, partly to give donations but also [...]
Marie Kreutzer is an Austrian writer-director whose third feature film We Used to Be Cool has its UK premiere at the LOCO Comedy Film Festival 2017 on 5 May, with a special parent and baby screening. Her first film The Fatherless dealt with children [...]
Zeb Achonu is an Associate Member of the Guild of British Film & TV Editors (GBFTE) and has extensive experience in editing across a wide range of genres, most notably factual and entertainment. She spent 9 years working for the BBC [...]
China Moo-Young went to the National Youth Theatre before studying Drama at Bristol University, where she graduated with a First Class Honours BA in Film, Theatre and Television. She was named a Star of Tomorrow in Screen International's annual review of British film-making [...]
A week today I am due to fly to Cape Town, South Africa to start prepping the second block of a BBC drama, The Last Post, a Peter Moffat scripted story set in Aden in the 60s about the end of [...]
Gaby Chiappe is an experienced TV writer, who has written extensively for long-running series such as Family Affairs, Doctors, EastEnders, Casualty, Survivors and many more. She also wrote for the series Lark Rise to Candleford, Shetland, Vera and recently created and [...]
The challenges of trying to combine motherhood with a creative career hit home for me a couple of years ago when my older daughter, then four, was doing a project in nursery about summer holidays. She informed me that all her [...]
Flexible working, job sharing, genuine diversity in gatekeeper roles as well as in front of and behind the camera, paying key creatives properly and respect for people as rounded human beings who can get the job done in their own way [...]
Shakyra Dowling founded her own successful theatre production company in the 1990s, and then went on to work for a well known producer, assisting in the casting of several West End shows, before moving to the film and TV industry as [...]
OF LOVE AND LAW is a documentary, currently crowdfunding, about Japan's first LGBT law firm, run by partners Fumi and Kazu, and looking at issues including adoption, same sex partnerships and undocumented people. We talked film-raising with the international team behind the film: [...]
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A short manifesto on Red Carpet Activism: 1. It’s never too late to be an activist Just look at the anti-fracking Nanas! 2. It’s never too late to get an idea The idea for #BudgetTheBaby started on a night bus... 3. [...]
From the moment we met Alison [Carter-Goulden, assistant editor] and started talking, her competency and efficiency convinced me that a job-share could work well. Her and Erline [O'Donovan]'s relationship with Jonathan [Morris, editor] was the most important thing, and that worked perfectly. Alison and Erline set [...]
Jonathan Morris has been Ken Loach's regular editor since Hidden Agenda (1990), working on both features and documentaries, as well as editing documentaries for directors including John Pilger. Most recently, worked with Alison Carter-Goulden and Erline O'Donovan, who job-shared as assistant editors (read our interview [...]