Testimonial: Amy Neil
I'm on a hill not far from Glasgow filming the last day of Trust Me for BBC1, a drama about a nurse, a working mum, who boldly steals the identity of a doctor and starts practicing in A and E. It’s [...]
I'm on a hill not far from Glasgow filming the last day of Trust Me for BBC1, a drama about a nurse, a working mum, who boldly steals the identity of a doctor and starts practicing in A and E. It’s [...]
So the stats are in and only one in every million directors gets to make a second feature - and chances are four hundred times lower if you’re a woman. (There are real stats about this but I can’t [be bothered [...]
So first a little bit about us. I am a freelance drama director and my husband Joel is a visual effects supervisor at Double Negative. We wanted to write this testimonial together as for us its very much a case of [...]
Linda Ruth Williams is Professor of Film in the English Department at Exeter University and the investigator on in a major new four-year research project on contemporary women filmmakers led by Dr. Shelley Cobb and funded by the Arts and Humanities Research Council, [...]
I am standing alone on a street in Paris. The pavement is steaming, sticky - finally burning off the soupy heat of the day. I don’t speak French. I haven’t eaten in eight hours and my boobs hurt because I haven’t [...]
I always thought I’d be one of those women who work throughout their pregnancies. You know, the ones who work right up until their due date, the ones who you don’t even know are pregnant until they are 7-8 months in, [...]
Sophie Hyde directed, produced and co-wrote eye innovative feature drama 52 TUESDAYS which won the directing award for world cinema at Sundance 2014 and the Crystal Bear at the Berlinale 2014. As a producer, her documentaries include SAM KLEMKE'S TIME MACHINE (Sundance 2015) SHUT UP LITTLE MAN! [...]
We started with a crowdfunder in 2015 – and we've achieved so much in three years. We want to keep going and we need your help. We want to raise £14,000 of core funding so we can have a fairly-paid, flexible [...]
Can you tell us about how it’s going working on Game of Thrones (no spoilers) and The End of the F***ing World? How are you making it work around and through your pregnancy? I have been very lucky with my timing [...]
Water Salad on Monday arrives this September: a book and exhibition of beautiful black and white photographs that tenderly picks their way through the special natures that exist at the magical Elm Tree Farm, a working farm comprised of animals, plants, volunteers, carers and [...]
You’re Head of Marketing for the Locarno Festival – which provides childcare for its guests and delegates! Can you tell us about how the Festival came about with that decision? The Locarno Festival has always tried to offer a 360-degree experience [...]
Catharine Des Forges is the Director of the Independent Cinema Office. She has spent over 20 years working in the exhibition sector for a variety of organisations including the BFI and Arts Council England. She has worked as a freelance programmer and arts consultant and progammed [...]
Thanks for having us on! So we’re a wife-and-husband (and kids!) filmmaking team. Our debut feature film, sci-fi noir Anti Matter, was developed on Film London Microwave and is out now in the UK on DVD and VOD, via Kaleidoscope. It [...]
In the garden centre last weekend I asked the man in wellies and a tabard if he could point me in the direction of a fast growing, evergreen, tall, narrow tree that possibly flowered too and wasn't too expensive. He sighed, [...]
Anne-Marie O’Connor has written for the theatre, penned three novels and ghost written a number of best selling books but has since changed focus to TV. Writing on Waterloo Road before co-creating Sky 1’s Trollied. She is currently working on returning [...]
Paul Sturtz is Co-Conspirator (with David Wilson) of True/False, an "transformative, rambunctious, ecstatic" film festival and community in Columbia, Missouri. The festival is committed to nonfiction filmmaking and to environmental and social justice. In 2017, True/False partnered with Kickstarter to support childcare provision [...]
Annemarie had two films premiere as official selections of the Cannes Film Festival. One in Venice and most recently Berlinale where W hen I Saw You won Best Asian Film. Founder of Philistine Films, she’s made over sixteen films and collaborates [...]
Can you tell us about working on WONDER WOMAN – you were location managing while pregnant with your second child, is that right? I was five months pregnant when I went on the film, and seven and a half months when [...]
Photo by Eloise Ross Ming Ho is an experienced screenwriter, script editor, and active campaigner on dementia and carer issues. She began her career as Script Executive at independent Zenith Productions, working across a slate of British film and TV drama, [...]
I went to the 2017 Cannes Film Festival to acquire some DTV films for UK release on my distribution label, and also to help find distributors for the slate of British and Irish films I had brought to the market for [...]